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g Salle Firmin Gémier

28 Mar - 3 Apr 2019

  • Dance
  • Music

Maud Le Pladec / CCN d'Orléans

Twenty-seven perspectives

© Photo Konstantin Lipatov
© Photo Konstantin Lipatov
© Photo Konstantin Lipatov
© Photo Konstantin Lipatov
© Photo Konstantin Lipatov

With Twenty-seven perspectives, Maud Le Pladec makes a phantom score of Schubert’s Unfinished Symphony. The dancers become the writers of an inaudible music as well as the vehicles of its renewed expressivity.

Music (pop, American post minimalist, or another) has always been intricately linked to choreographic composition with Maud Le Pladec, in fusion, friction and dialogue. Dance, music and text have always worked well together in her work that, albeit abstract, is no less receptive to the world, and perceptive. For her new piece, Twenty-seven perspectives, the choreographer gives another status to music to better “review” her dance, elaborating a sort of choreographic meditation around the number 27, reference to artist Rémy Zaugg’s work who tried in his piece 27 esquisses perceptives [27 perceptive sketches] to exhaust a canvas by Cézanne. In the company of Pete Harden, she delves into another artistic monument, Schubert’s Unfinished Symphony, to extract a series of subjective and fragmentary reinterpretations. “Can I see what I can hear or can I hear what I can see? In other terms, how can one look at music and listen to dance ?”, questions Maud Le Pladec.

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Guest under the age of 28
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* The second show is free ! (in the limit of places available).
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29 €
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